Monthly Archives: March 2025

Interview with BSSA Team Member, Jude Higgins

Jude is a well-known face in the short story and flash fiction world. In addition to being a prolific writer, she is a tutor, runs online Flash Fiction Festival Days three times a year, is the founder of Bath Flash Fiction Awards, directs the small press, Ad Hoc Fiction and also Flash Fiction Festivals UK, an in-person weekend event, now in its 7th year, which attracts writers from all over the world.

Her flash fiction has been published in numerous literary magazines and anthologies and The Chemist’s House, her debut chapbook of short fictions, was published by V Press in 2017. Last year Ad Hoc Fiction published Clearly Defined Clouds, her full flash fiction collection, also available from Amazon. It has been described as a ‘mastery of condensed fiction.’ She is also a founding member of Bath Short Story Award, which is where we’ll begin. Continue reading →

Finding a Title

Our 2025 Award closes on 31st March. In FOUR weeks. Maybe if you are entering, you are at the stage where you are thinking about a title. Maybe you began your short story with a title in mind? Maybe your story is still percolating before any words get down on paper?

How do you create a good title? So much has been written about this. Good ones stay with you for ever. I love Raymond Carver’s famous short story title, which is also the title of one of his collections,  “What we talk about when we talk about love.” Gordon Lish, his editor, retitled it  “I Am Going to Sit Down.” but thankfully,  it  was never published in that version.

There’s a fun thing I saw recently somewhere online, which suggested writing  bad versions of famous titles of novels and short stories. For example, ‘The Grapes of Wrath’ could be ‘The Fruits of Anger’. Worse, another Steinbeck novel. ‘Of Mice and Men’ could be translated into  ‘Of Rodents and Males.”What about this version of “Sons and Lovers” — ‘Offspring and Their Romantic Partners’? Or ‘Fondness in the Season of the Plague’. Silly, but useful to study the originals and see how they work. Is it the weight of the words, or what they encompass about the book or the short story. Is it the rhythm or the length of the title? Continue reading →